As much as we tried to zoom in, the text on top of the envelope is [...]
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Mau5trap signee has produced remixes for Lady Gaga and Bruno Mars.
By Adam Stewart
If you're a big EDM fan and you haven't yet heard of Skrillex, you may want to listen up. The LA native has rapidly taken the electronica world by storm, earning praise from peers and fans alike.
"He's taking over," Deadmau5 told MTV News in a recent interview. "I think he's going to outdo me. I think he's going to be the first artist on Beatport to eat my lunch and take over the top 10. I don't think anyone in Beatport history has ever done it, but if he does it, I'll be so proud of him, the little goblin!"
While he didn't quite capture all 10 spots, Skrillex did, at one point, own an impressive eight of the 10 — no small feat for a guy who until 2007 was more commonly known as Sonny Moore, frontman of post-hardcore/emo band From First to Last.
"Throughout my years in From First to Last, I was always dabbling and making electronic music on my own time," he told MTV News. "The first records I ever owned were crossover electronic rock, like Prodigy, Marilyn Manson and Nine Inch Nails.
A lifelong fan of electronic music, his style slowly morphed into a dubstep-progressively-housey-hardcore hybrid that many, including the man himself, find difficult to actually peg.
"I kind of want to do whatever I want to do and what I'm feeling," he said. "I never set out to be part of a genre, because I listen to all types of music."
Before joining the Mau5trap label, Moore had been signed to both Atlantic and Interscope records to produce a variety of dance remixes for some of the biggest names in the business, including Lady Gaga and Bruno Mars.
Since then, under the Skrillex moniker, he has released two EPs in less than 6 months. The first, "My Name is Skrillex," was released in June as a free seven-track download. A short time later, the "Scary Monsters and Nice Sprites" EP was released, and it dominated the charts.
Skril has even begun production on a music video for the title track, which he said will be centered around "3-D and CGI battles between 'Scary Monsters' and 'Nice Sprites' " — something that in his post-hardcore days, may have been only a dream.
"I want to continue to constantly put out great music, expand further and further with the live show and music that is attracting music fans from all over the place, not only for ravers or electronic heads," he said.
Much like Deadmau5, Skril has used technology, embracing it in his live sets. Along with a stunning visual display, he keeps distance from the traditional dual-CDJ setup, leaning toward his Ableton and M-Audio Trigger Finger array, which allows him to mix and transition seamlessly through wildly different styles of music.
"I'm going from a 175-bpm drum and bass track to a 128-bpm electro track within a song from each other, and that's really versatile for what I'm doing," he explained. "I want to challenge myself more with the live show, not only in terms of great production but actually contributing to what the word 'live' means."
How would you describe Skrillex's sound? Give us your two cents in the comments below!
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Meanwhile Kerry Katona is set to be making a return to UK TV screens later this week when her documentary Coming Clean airs on ITV2 (this Sunday). In the programme the reality star will be talking all about her struggle with drugs while she was with Mark Croft. In a snippet from the show, Kerry admits:
'I feel so ashamed and embarrassed because I've lost four years with the kids, spending time with them. 'I wish I could've done something about it sooner, but when you're in love and you want that family unit, it's just really hard.'
I'd go OTT on the drugs, hope that he would go, 'Kerry, stop, that's enough,' but he didn't.
'I needed someone to stop me and I was trying to push Mark to prove how much he loved me by saying, 'Look Kerry, you've got f****** kids out there. I knew that I was doing wrong.'
'If I'd stayed with Mark I would have been dead. 'The next time you'd have seen me would have been at my funeral.?
After Coming Clean, Kerry?s new reality series The Next Chapter will be debuting on ITV2 on Thursday?
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'Private Practice' star recalls creating impromptu joint about feces on episode premiering Saturday at 11 a.m.
By Mawuse Ziegbe
Taye Diggs has built a reputation as a Hollywood heartthrob, lighting up the screen in everything from "How Stella Got Her Groove Back" to "Brown Sugar." But when the actor was 17, he was less of a hunk and more of a ham, constantly cutting up with his friends.
"When I was 17, we were all performers. Wherever we were, we would always try to put on some kind of a show," he remembers on the latest episode of "When I Was 17," which also features Naya Rivera from "Glee" and NBA superstar Carmelo Anthony, premiering Saturday at 11 a.m.
"They were always, always making up songs and singing them and joking around," Diggs' brother Gabriel recalls.
One time, Diggs and his pals turned someone else's crappy luck into a catchy tune.
"I remember one time there was a fire drill, and me and my boy Shane saw this dude step in some dog doo," he says. "We laugh ... and then, right then, somebody drops a beat."
Shane recreates the beat, flapping and pursing his lips, before continuing the story: "Then [Diggs] joined in, "corn feces!"
"And then it just breaks into a whole song," Diggs recalls of the ditty's inexplicable development.
Then Shane breaks down the joint's loopy lyrics for viewers: "I was walking down the street, rocking to the beat/ Clapping my hands and stomping my feet/ Look at the ground and what do I see?/ Corn feces staring right at me. Corn feces!"
For Diggs, who was 17 in 1988, the impromptu, poop-inspired ode is still hilarious years later.
"Corn feces!" the star proclaims, clapping his hands and cracking up.
"When I Was 17" — this week featuring Naya Rivera, Camelo Anthony and Taye Diggs — premieres Saturday at 11 a.m. on MTV
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British singer talks about her Pink Friday collabo with the Queens MC.
By Mawuse Ziegbe
Nicki Minaj
Photo: John Parra/ WireImage
Very few MCs are touching Nicki Minaj when it comes to stacking collabos in 2010. However, the pink-tressed raptress recently scored a team-up that was unexpected, even for her: a track with British songstress Natasha Bedingfield.
The singer explained to Billboard.com that although she may be known Stateside as the crooner behind the delicate pop anthem "Unwritten," she's well-versed in the hip-hop game. (Incidentally, the pop song became the theme of MTV's "The Hills," a show that counted Minaj among its fans.
"With Nicki, I come from London and we've got a heavy influence in hip-hop," Bedingfield said. "She called me and was like, 'I'd love for you to sing on this. I'm a huge fan,' and I was instantly like, 'I'll do this.' "
Bedingfield gushed that the lyrics Minaj penned made an instant impression on her. In another ironic twist of fate, the songbird laid down her "Last Chance" contribution in the lab of another Minaj collaborator, Eminem, while on the road in Detroit. Bedingfield added that she picked up on the Motor City luminary's energy.
"I heard the song she'd written and it gave me goose bumps. I was like, 'I've got to be on that,' " she recalled. "I was in Detroit, doing some promotion, so I went into Eminem's studio and it was amazing, really catching off Eminem's vibe. He wasn't there, but his studio is great."
Fans can check out Minaj and Bedingfield's collaboration on the lyricist's recently released Pink Friday album, while the songbird's forthcoming album, Strip Me, will be available on December 7.
What do you think of Nicki Minaj's Pink Friday debut? Let us know in the comments!
Open the floodgates! It's Mega-Release Week, with Kanye West, Nicki Minaj, Jay-Z, Ne-Yo, Ke$ha, My Chemical Romance and Lloyd Banks all dropping new albums. Stick with MTV News for everything you need to know about the brand-new music.
Don't miss the documentary "Nicki Minaj: My Time Now," premiering Sunday, November 28, at 10 p.m. ET/PT on MTV!
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'I just wanted to say there's nothing cool about being a bully,' singer says.
By Gil Kaufman
Justin Bieber in his "It Gets Better" video
Photo: Warner Bros.
Justin Bieber has joined the ranks of stars speaking out against bullying. The 16-year-old American Music Award-winning singer recently spoke to talk-show host Ellen DeGeneres about his own bullying experience, and in an "It Gets Better" clip that debuted on DeGeneres' site on Monday, he urged his fans to take action if they see someone being bullied.
In the 20-second video, Bieber, wearing a black T-shirt and backward black baseball cap, says, "Hey guys, I'm Justin Bieber. I just wanted to say there's nothing cool about being a bully. And if you're getting bullied, make sure to tell someone and, you know, it gets better. And if you're a bystander, make sure to step in and, you know, help out."
The clip appeared to have been filmed during Bieber's appearance on DeGeneres' show earlier this month, when he discussed his own experiences with bullying.
"Everybody goes through bullying," he said on the show. "Everybody has, even me. On my YouTube page, there are so many haters. They just say crazy stuff. Like, I'm not mad, I'm 16 and I don't have chest hair. I'm not angry about it at the moment. That will come. People are like, 'Look at him, he puts helium in his voice before he sings.' You just have to laugh at yourself. It's funny." His appearance on the show came shortly after he was reportedly bullied while playing laser tag in Canada in October.
Bieber also had a similar message for those who see bullying going on around them. "There are so many bullies. It goes on so much," he told DeGeneres. "I think that you should ... especially if you are a bystander, you definitely should help out because it could be you next."
In the laser-tag incident last month, a 12-year-old boy allegedly used an anti-gay slur against Bieber after overzealously targeting the "Baby" singer during a heated match.
Bieber joins a long list of stars and politicians who have joined the "It Gets Better" anti-bullying campaign, including President Obama, Secretary of State Hillary Clinton, Ke$ha, Nicki Minaj, Adam Lambert, Aubrey O'Day, Linkin Park's Chester Bennington and Katy Perry, who dedicated her "Firework" clip to the campaign.
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'The best way to love rock and roll is to shoot it in the head,' band says.
By James Montgomery
My Chemical Romance
Photo: MTV News
In the four years between The Black Parade and Danger Days: The True Lives Of The Fabulous Killjoys, My Chemical Romance were no strangers to the grandiose statement. It seems that, in every interview they gave, the band found a new way to describe their (then upcoming) album, calling it everything from a "very pure" bit of punk rock to — most famously — "a love letter to rock and roll".
The end result, of course, was Danger Days, an album that is both of those things (and neither), often at the same time. And yet, it has basically been defined within those parameters. So, looking back on it now, do MCR regret anything they said in the lead-up to the album?
Not really.
"It makes me laugh when I [read it now]," frontman Gerard Way said, smiling.
"Part of the problem was: We tried to define the record before we made the record. And it's not all our fault," guitarist Frank Iero added, "because everyone kept asking us, 'Oh, what's it going to be?' And when we said, 'Oh, we don't know,' they're like, 'Well, whadaya mean? What's it going to be? Can you speculate?' And it's like, 'Well, it's going to be this,' and when we found out what that is, it changed."
And that change was, of course, necessary. Both for the band's survival and the scope of the new album. In retrospect, MCR stand by everything they said about Danger Days, because, really, deep down in its chrome-plated heart, it still is "a love letter" to American rock and roll.
It's just written from My Chemical Romance's rather-unique perspective.
"At first, we said, 'It's a love letter to rock and roll,' and we found out that the best way to love rock and roll is to shoot it in the head," Iero said. "So we made a record that was like a missile directed at rock and roll.
"It just started to change and evolve, and then the band evolved at the same time. And I think that's the way you have to make a record: in a very organic way."
What do you think of Danger Days? Give us your review in the comments!
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We have a preview of the 'tent scene,' including hilarious commentary by Robert Pattinson and Kristen Stewart.
By Kara Warner
Taylor Lautner and Kristen Stewart in "Eclipse"
Photo: Summit Entertainment
All right Twilighters, have we got a Thanksgiving treat for you! While "The Twilight Saga: Eclipse" DVD doesn't come out until December 4, MTV News is delighted to present an exclusive clip from the highly anticipated release — complete with commentary from Robert Pattinson and Kristen Stewart!
This isn't just any clip either. Summit has kindly bestowed upon us a juicy little snippet from the fan favorite "tent scene."
In this clip, fans get to see the heated exchange between Edward (Pattinson) and Jacob (Taylor Lautner) as they discuss how Jacob will have to get into a sleeping bag with Bella (Stewart) in order to keep her warm and save her from freezing to death. Edward, of course, is not at all pleased with Jacob getting anywhere near Bella, but he must concede for Bella's sake. Jacob, taking advantage of the situation, revels in the fact that his warmer-than-normal body temperature means he can do for Bella what Edward can't.
The scene itself offers plenty of entertainment, but it's Pattinson and Stewart's hilarious voiceover commentary about the scene that really sells it.
"Slurp your coffee a little bit more," we hear Stewart say to Pattinson. "That's what the fans want."
"It's not coffee," Pattinson responds. "It's an Arnold Palmer," he says, attempting to pronounce it with an American accent.
"You're drinking an Arnold Palmer?" Stewart asks, sounding amused. "Having a little lemonade and iced tea?"
Meanwhile, Jacob has just crawled into Bella's sleeping bag, which draws Stewart and Pattinson back to the clip.
"God, he's so gross, so brazen!" Pattinson says of Lautner's werewolf. "I really don't like Jacob."
"Aww," Stewart says.
"Look at him and his tattoo and stuff. Ugh," Pattinson mock scoffs.
"He's just young and overzealous," Stewart says defending the young wolf.
"He's not!" Pattinson insists. "He does it on purpose. He's looking at me when he's saying this stuff."
"Yeah, that is weird," Stewart agrees.
"What is wrong with him? He's like, 'I don't even care about her, I just want to,' " Pattinson trails off.
"Look at him cradling!" Stewart points out, which provokes a burst of laughter from Pattinson. "His little head nooked in there," she adds.
"You look like you're milking him," Pattinson says as both "Twilight" actors break out laughing.
A terrific tease, and if that little sneak peek doesn't make you want to pre-order that DVD now, we don't know what will.
What do you think about the clip? Stewart and Pattinson's commentary? Tell us in the comments!
Check out everything we've got on "Eclipse."
For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com.
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Nicki Minaj, Justin Vernon, Teyana Taylor join 'Ye at Bowery Ballroom to celebrate album release.
By Jayson Rodriguez
Kanye West performs at Bowery Ballroom on Tuesday
Photo: Erez Avissar
NEW YORK — Kanye West is nothing if not a showman, and on Tuesday, the rapper celebrated the release of his fifth studio album, My Beautiful Dark Twisted Fantasy, with a performance that was as daring and dashing as it was fraught with traces of the petulant MC of the past.
Shortly after midnight, West took to the stage at the Bowery Ballroom in Manhattan accompanied by Bon Iver's Justin Vernon and femcee/singer Teyana Taylor.
The trio launched into "Dark Fantasy," the spirited opening number of 'Ye's new set.
Sporting a skin-tight dress, Taylor admirably belted out the chorus to the track and stuck around to ride shotgun with the G.O.O.D Music chief.
"New York City, make some noise," West told the gathering crowd after the opening selections. "Today, I'm gonna do My Beautiful Dark Twisted Fantasy."
From there, West breezed through "Gorgeous," "Power" and "All of the Lights," the latter of which was a rumbling effort.
Nicki Minaj joined Yeezy on stage for some album-release unity when the DJ spun "Monster," sans Jay-Z.
Rick Ross arrived onstage for the Bink-produced "Devil in a New Dress."
When West teased the first few chords of "Runaway," the crowd — which included Diddy, music executives Lyor Cohen and Sylvia Rhone, ?uestlove, comedian Aziz Ansari and Selita Ebanks — erupted with approval.
The dramatic rendition was easily the night's highlight and featured artist Pusha T looked possessed on the microphone. Meanwhile, West was like a mad scientist pounding away on his MPC machine, creating musical backdrops to match almost each song.
After over an hour of performing, Yeezy closed the proceedings with a stirring, slowed-down rendition of the song "Lost in the World," the song he's slated to perform at the Macy's Thanksgiving Day Parade on Thursday.
He reappeared on stage shortly after for an encore and powered through brief versions of "Christian Dior Denim Flow" and "Can't Tell Me Nothing."
Although he finished with "Good Life," it may have been the defiance of "Can't Tell Me Nothing" that stuck with 'Ye after the performance, when he spoke to the crowd.
"As you know, it's been an extremely hard year for me," he began. "But getting back to music, G.O.O.D. Fridays, and the album ... I never thought I'd say this, I wanna thank the magazines for perfect scores across the board. I always felt like I could do anything.
"To do 100,000 digitally," Ye continued, remarking on his first day tally in sales from Monday. "And slated to do 600,000 the first week. I'm not here to do mother----ing politics. I'm here to make music. I'm not here to talk in no interviews; no one ask me any stupid f---ing questions."
Open the floodgates! It's Mega-Release Week, with Kanye West, Nicki Minaj, Jay-Z, Ne-Yo, Ke$ha, My Chemical Romance and Lloyd Banks all dropping new albums. Stick with MTV News for everything you need to know about the brand-new music.
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